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ALUMNI
2021 Women in screen workshop
Leah Patterson
Australian director Leah Patterson works in theatre and film. In 2020 she had her first foray in television. She was selected for Ryan Murphy’s Half Initiative and shadowed Producing-Director David Grossman on 9-1-1 Lone Star. She was named one of 2019’s
Top 10 Women In Film To Watch by Diversity In Cannes. Her work is emotionally resonant, often focusing on real-life and intimate relationship
based stories.
Her film Bridget and Iain was based on the play of the same name by Norelle Scott. At the Short+Sweet Festival the play won Best Play and the People’s Choice Award presented by the City of Los Angeles. Leah was awarded Best Director out of the 60+
play festival. The film’s actor, Damian Sommerlad, was awarded Best Actor at Diversity in Cannes.
She directed Oracles & Miracles a play written by Norelle Scott based on the bestselling novel Oracles and Miracles by Stevan Eldred-Grigg. The production marked the
30 year anniversary of this powerful novel and the North American debut of
the play, which won an Encore Producers Award at the Hollywood Fringe Festival. Leah was the Literary Manager for Los
Angeles based Australian Theatre Company, curating and producing its popular annual Summer Reading Series.
She graduated from the University of New South Wales with a BA in Theatre/
Film & Philosophy. She graduated from William Esper Studio, an acting
conservatory in New York City. She and her sister were the first in their family to attend university. Leah had a previous career in finance on Wall Street.
Top 10 Women In Film To Watch by Diversity In Cannes. Her work is emotionally resonant, often focusing on real-life and intimate relationship
based stories.
Her film Bridget and Iain was based on the play of the same name by Norelle Scott. At the Short+Sweet Festival the play won Best Play and the People’s Choice Award presented by the City of Los Angeles. Leah was awarded Best Director out of the 60+
play festival. The film’s actor, Damian Sommerlad, was awarded Best Actor at Diversity in Cannes.
She directed Oracles & Miracles a play written by Norelle Scott based on the bestselling novel Oracles and Miracles by Stevan Eldred-Grigg. The production marked the
30 year anniversary of this powerful novel and the North American debut of
the play, which won an Encore Producers Award at the Hollywood Fringe Festival. Leah was the Literary Manager for Los
Angeles based Australian Theatre Company, curating and producing its popular annual Summer Reading Series.
She graduated from the University of New South Wales with a BA in Theatre/
Film & Philosophy. She graduated from William Esper Studio, an acting
conservatory in New York City. She and her sister were the first in their family to attend university. Leah had a previous career in finance on Wall Street.
Jingjing Tian
Jingjing is a Chinese American filmmaker based in NYC. A Sundance Uprise Grantee, she is working on her first feature film, Kid C. Her short films have screened at Nitehawk Cinema with MoMA, Cleveland International Film Festival, Bentonville Film Festival, Seattle Asian American
Film Festival, and Museum of the Chinese in America. Her work has been profiled in Paper Magazine, AM New York, BuzzFeed, High Country News, South China Morning Post + more.
Film Festival, and Museum of the Chinese in America. Her work has been profiled in Paper Magazine, AM New York, BuzzFeed, High Country News, South China Morning Post + more.
Rebecca Ingram
Rebecca Ingram is a Welsh-Australian Writer and Creative Producer who creates compelling high-end drama series set in particular worlds. Rebecca’s work has been optioned by some of Europe’s and Australia’s prominent production companies, and currently has an international series in development with a leading German production company. She has just been shortlisted for the BBC and World Productions 2021 Scriptwriting Award for her Welsh community drama Grounded, and her crime police drama Undercurrent, was recently shortlisted for the Australian Writers Guild’s 2021 premier Monte Miller Award - now in development with production company Sweetshop & Green.
In 2017 her work scored an Australian Directors Guild Fellowship to attend the U.S Stowe Story Lab, as well as shortlisted for the AWG’s ‘Prime Time’ TV series competition, where she was inducted into the Pathways Program for her gritty, female juvenile justice series ‘Dog Box’.
In 2019, two of Rebecca’s crime series (Dog Box & Secret Threads), received significant development funding from Screen Australia and Screen NSW. Rebecca also received a travel grant in 2019 from Screen NSW to attend Content London with the project Dog Box.
2018 saw Rebecca selected to be part of Screen Producers Australia’s ‘Ones to Watch’ program as a Creative Producer for her slate of work, as well as Dame Changers ‘Mentor to Market’ program, and Bunya Productions ‘Hollywood Showrunner Talent Lab’.
Her TV production credits as a Producer’s Assistant include shows such as the 2019 reboot of Seachange (Channel 9), and the AACTA winning series, Deadlock (ABC TV). Rebecca also works as a Creative Producer for Australian production company Magpie Pictures.
In 2017 her work scored an Australian Directors Guild Fellowship to attend the U.S Stowe Story Lab, as well as shortlisted for the AWG’s ‘Prime Time’ TV series competition, where she was inducted into the Pathways Program for her gritty, female juvenile justice series ‘Dog Box’.
In 2019, two of Rebecca’s crime series (Dog Box & Secret Threads), received significant development funding from Screen Australia and Screen NSW. Rebecca also received a travel grant in 2019 from Screen NSW to attend Content London with the project Dog Box.
2018 saw Rebecca selected to be part of Screen Producers Australia’s ‘Ones to Watch’ program as a Creative Producer for her slate of work, as well as Dame Changers ‘Mentor to Market’ program, and Bunya Productions ‘Hollywood Showrunner Talent Lab’.
Her TV production credits as a Producer’s Assistant include shows such as the 2019 reboot of Seachange (Channel 9), and the AACTA winning series, Deadlock (ABC TV). Rebecca also works as a Creative Producer for Australian production company Magpie Pictures.
Candy Bowers
Candy Bowers is a radical mischief-maker, writer, creator and musician. Born of South African political refugees, Candy has created an extraordinary cross-disciplinary body of work that shakes and tickles audiences in equal measure. The original producer and co-creator of global phenomenon Hot Brown Honey, Candy and her sister Kim Busty Beatz Bowers ran the international production house Black Honey Company from 2008-2018. Candy worked as a contributor, actor and sketch writer for the Comedy Channel and the ABC including Tonightly with Tom Ballard and Get Krack!n. In 2017 Candy stepped across to development via Screen Australia’s Developing the Developer lab and continued studying in the field under Louise Gough at Arena Media. In 2018/19 she was named as one of four recipients of the Screen Australia/ Australians In Film MentorLA initiative and took part in the Talent USA/LA program. Candy attached to Peter Saji on family sit-com Mixedish (abc/Disney) and signed with Hollywood literary agent WRIT-Large. Over the last 18 months Candy has plied her trade via a number of proposed Aussie comedy and kids series, including: Dirty Thirties (Screen Australia) Fresh! (Freemantle) The Back Room (SBS/ Film Victoria) and Joy (Mischief Media). Candy is currently working on turning her On Air 2020 winning scripted-audio pitch Bottlo2560 into a comedy series for TV and developing her feature film for young adults Elastic Tribe.
Lindsey Ryan
Lindsey is a filmmaker originally from Long
Island and is currently based in Brooklyn, New York. She started her freelance career at the early age of thirteen, where
she interned as a camera PA on the MTV Show One Bad Choice. Her credits have since grown to include Oscar nominated documentaries, several network and streaming
series, major brand commercials and several short form narrative productions.
After graduating from Hofstra University with a BS in Film and Television, she began working for critically acclaimed director
Reed Morano. Lindsey is now directing commercials and developing narrative projects for a New York based production
company, Rebel Motion.
Her most recent credit SEASICK, an LGBTQ short film about a ferry deckhand who sends a love-confessing text message,
was shot entirely on a moving boat on the Great South Bay. The film stars Pauline Chalamet and has gone on to play festivals such as Outfest, Newport Beach, Nantucket and has
won several awards including Best 1st Time Director, Best
Actress, and Best LGBTQ Short.
Island and is currently based in Brooklyn, New York. She started her freelance career at the early age of thirteen, where
she interned as a camera PA on the MTV Show One Bad Choice. Her credits have since grown to include Oscar nominated documentaries, several network and streaming
series, major brand commercials and several short form narrative productions.
After graduating from Hofstra University with a BS in Film and Television, she began working for critically acclaimed director
Reed Morano. Lindsey is now directing commercials and developing narrative projects for a New York based production
company, Rebel Motion.
Her most recent credit SEASICK, an LGBTQ short film about a ferry deckhand who sends a love-confessing text message,
was shot entirely on a moving boat on the Great South Bay. The film stars Pauline Chalamet and has gone on to play festivals such as Outfest, Newport Beach, Nantucket and has
won several awards including Best 1st Time Director, Best
Actress, and Best LGBTQ Short.
Sunday Emerson Gullifer
Sunday Emerson Gullifer is an award-winning film director and screenwriter from Sydney, Australia.
With the support of Screen New South Wales, she is currently developing her debut feature, HELMUT,
inspired by her acclaimed short film, TOMORROW, AND TOMORROW, AND TOMORROW (2017).
In 2020, she was a Writer in Residence at the Cité Internationale des Arts in Paris while she worked on
the project.
TOMORROW, AND TOMORROW, AND TOMORROW premiered internationally at Telluride Film Festival, was Highly Commended in the Dendy Awards for Australian Short Films at Sydney Film Festival, won Best Screenplay at Munich International Festival of Film Schools, Best Performance at Flickerfest, Best Masters Narrative Production at the Victorian College of the Arts, and was nominated for an Australian
Directors’ Guild Award. The film later premiered online as a Vimeo Staff Pick and was featured on Short
of the Week, with Women and Hollywood calling it “a must-watch for anyone who is invested in the
#MeToo and Time’s Up movements”.
Prior to that, she received Metro Screen Breaks funding to make her short film, MEAT (2015). The film
was nominated for an Australian Directors’ Guild Award and won an Australian Cinematographers’
Society Silver Award, screening at festivals across Australia and internationally. In 2018, Sunday was awarded the Lexus Australia Short Film Fellowship. The $50,000 fellowship funded
production of her latest short film, BROKEN LINE NORTH (2019), and saw the film premiere at Sydney
Film Festival.
Sunday holds a Master of Film and Television (Narrative) from the Victorian College of the Arts, a Master
of Media Arts and Production from the University of Technology Sydney, and a Bachelor of Arts
(Performance Studies, American Studies) from the University of Sydney.
Originally hailing from a background in theatre, she is drawn to bold stories told with heart.
With the support of Screen New South Wales, she is currently developing her debut feature, HELMUT,
inspired by her acclaimed short film, TOMORROW, AND TOMORROW, AND TOMORROW (2017).
In 2020, she was a Writer in Residence at the Cité Internationale des Arts in Paris while she worked on
the project.
TOMORROW, AND TOMORROW, AND TOMORROW premiered internationally at Telluride Film Festival, was Highly Commended in the Dendy Awards for Australian Short Films at Sydney Film Festival, won Best Screenplay at Munich International Festival of Film Schools, Best Performance at Flickerfest, Best Masters Narrative Production at the Victorian College of the Arts, and was nominated for an Australian
Directors’ Guild Award. The film later premiered online as a Vimeo Staff Pick and was featured on Short
of the Week, with Women and Hollywood calling it “a must-watch for anyone who is invested in the
#MeToo and Time’s Up movements”.
Prior to that, she received Metro Screen Breaks funding to make her short film, MEAT (2015). The film
was nominated for an Australian Directors’ Guild Award and won an Australian Cinematographers’
Society Silver Award, screening at festivals across Australia and internationally. In 2018, Sunday was awarded the Lexus Australia Short Film Fellowship. The $50,000 fellowship funded
production of her latest short film, BROKEN LINE NORTH (2019), and saw the film premiere at Sydney
Film Festival.
Sunday holds a Master of Film and Television (Narrative) from the Victorian College of the Arts, a Master
of Media Arts and Production from the University of Technology Sydney, and a Bachelor of Arts
(Performance Studies, American Studies) from the University of Sydney.
Originally hailing from a background in theatre, she is drawn to bold stories told with heart.
Marisa Nathar
Marisa Nathar is a screenwriter and children’s book author with an extensive background in film and television production. Marisa’s screen credits include MUSTANGS FC (Ep 8 series 3) for Matchbox Pictures/ ABC ME/ NITV. Most recently, she wrote multiple episodes for live-action teen series ROCK ISLAND MYSTERIES for Viacom CBS Nickelodeon/ Fremantle Australia.
Previous credits include short film EAGLEHAWK (2016) directed by Shannon Murphy and produced by Dollhouse Pictures. A finalist in the Sydney Film Festival Dendy Short Film Awards 2016, EAGLEHAWK went on to screen at Melbourne International Film Festival, St Kilda Film Festival, Flickerfest, Cinefest Oz, Aesthetica (UK) and FilmForum (Poland) and Provincetown International Film Festival among others.
She has been awarded two Film Victoria Key Talent writers’ placements, including for MUSTANGS FC (series 2) with Matchbox Pictures and has participated in a wide range of television story rooms as well as being a story researcher for numerous TV series.
Marisa is developing several projects for television and film including original drama series Carmenta with co-creator/writer Holly Alexander which received development funding from Film Victoria and was in the final round for the Sundance Episodic 2020 Lab. A Malaysian-Australian creative, Marisa is passionate about authentic storytelling and representation both on-screen and behind the camera.
Previous credits include short film EAGLEHAWK (2016) directed by Shannon Murphy and produced by Dollhouse Pictures. A finalist in the Sydney Film Festival Dendy Short Film Awards 2016, EAGLEHAWK went on to screen at Melbourne International Film Festival, St Kilda Film Festival, Flickerfest, Cinefest Oz, Aesthetica (UK) and FilmForum (Poland) and Provincetown International Film Festival among others.
She has been awarded two Film Victoria Key Talent writers’ placements, including for MUSTANGS FC (series 2) with Matchbox Pictures and has participated in a wide range of television story rooms as well as being a story researcher for numerous TV series.
Marisa is developing several projects for television and film including original drama series Carmenta with co-creator/writer Holly Alexander which received development funding from Film Victoria and was in the final round for the Sundance Episodic 2020 Lab. A Malaysian-Australian creative, Marisa is passionate about authentic storytelling and representation both on-screen and behind the camera.
Monique de Groot
Monique de Groot (BMedia) was recognised as the “Breakthrough Filmmaker” from the State of New South of Wales by
the Screen Producers Association of Australia (SPAA) and the Motion Picture Association of Australia (MPAA). She is the
producer of some award-winning short films, and has worked in production on various feature films in Australia. Monique
has had a long association with, and mentorship from Australian producers Al Clark and Andrena Finlay, producers of some
of Australia’s most successful films. She was one of few creative teams to be selected to participate in SPAA’s international film financing market, and Aurora - an intensive feature film script development program for screenwriters. Through this
initiative, she was mentored for one year by American producer Christine Vachon and Syd Field, leading screenwriting
consultant and author of “Screenplay: The Foundations of Screenwriting”.
Monique has been backed by the Australian Government film funding bodies, where they have supported her film projects
in development as well as her as an individual. She received a competitive Screen Australia talent grant for an industry
placement. Until recently, Monique has been based in Mexico City developing predominately Spanish-language feature
films, and now resides in the United States.
the Screen Producers Association of Australia (SPAA) and the Motion Picture Association of Australia (MPAA). She is the
producer of some award-winning short films, and has worked in production on various feature films in Australia. Monique
has had a long association with, and mentorship from Australian producers Al Clark and Andrena Finlay, producers of some
of Australia’s most successful films. She was one of few creative teams to be selected to participate in SPAA’s international film financing market, and Aurora - an intensive feature film script development program for screenwriters. Through this
initiative, she was mentored for one year by American producer Christine Vachon and Syd Field, leading screenwriting
consultant and author of “Screenplay: The Foundations of Screenwriting”.
Monique has been backed by the Australian Government film funding bodies, where they have supported her film projects
in development as well as her as an individual. She received a competitive Screen Australia talent grant for an industry
placement. Until recently, Monique has been based in Mexico City developing predominately Spanish-language feature
films, and now resides in the United States.
2021 WFH Screenwriting workshop
2021 talent usa participants
Alison James
Alison James is an award-winning director and writer working between Perth, Western Australia and Los Angeles. Most recently she wrote and directed JUDAS COLLAR, a fully scripted, live-action short, which stars a cast of real-life camels.
JUDAS COLLAR premiered at Sydney Film Festival with a Special Jury Mention for Best Director and went on to play at over one hundred festival screenings, winning Best Short at the Austin Film Festival, Best Film and Best Director at the St Kilda Film Festival, Best Short at the Screen Producers of Australia Awards and Best Film at the Cine Gear Expo Film Series at Paramount Studios, which recognizes international excellence in visual storytelling. Alison won the Australian Writer’s Guild Award for Best Short Film and was also nominated for an Australian Directors Guild Award and an AACTA (Australian Academy Award).
Prior to her scripted work, Alison was a director on over fifty hours of internationally broadcast factual television. Highlights include filming with Aboriginal Elders, multi-million dollar entrepreneurs, Nobel Prize winning scientists and young people with intellectual disabilities.
Alison is drawn to adventure and worked extensively in remote and punishing conditions while directing twenty-four episodes of Discovery’s Outback Truckers, filming alongside Australia’s toughest truck drivers.
Alison is an Australian-American dual citizen, currently focused on developing feature and television projects as a writer/director in the elevated genre space.
In the US, Alison is represented by Phil D’Amecourt and Tanya Cohen at WME and Jeff Silver and Adam Klein at Grandview.
JUDAS COLLAR premiered at Sydney Film Festival with a Special Jury Mention for Best Director and went on to play at over one hundred festival screenings, winning Best Short at the Austin Film Festival, Best Film and Best Director at the St Kilda Film Festival, Best Short at the Screen Producers of Australia Awards and Best Film at the Cine Gear Expo Film Series at Paramount Studios, which recognizes international excellence in visual storytelling. Alison won the Australian Writer’s Guild Award for Best Short Film and was also nominated for an Australian Directors Guild Award and an AACTA (Australian Academy Award).
Prior to her scripted work, Alison was a director on over fifty hours of internationally broadcast factual television. Highlights include filming with Aboriginal Elders, multi-million dollar entrepreneurs, Nobel Prize winning scientists and young people with intellectual disabilities.
Alison is drawn to adventure and worked extensively in remote and punishing conditions while directing twenty-four episodes of Discovery’s Outback Truckers, filming alongside Australia’s toughest truck drivers.
Alison is an Australian-American dual citizen, currently focused on developing feature and television projects as a writer/director in the elevated genre space.
In the US, Alison is represented by Phil D’Amecourt and Tanya Cohen at WME and Jeff Silver and Adam Klein at Grandview.
Belinda Chayko
Belinda was the showrunner and lead writer for the International Emmy Award winning mini-series SAFE HARBOUR (Hulu/BBC/SBS) which has sold around the world. She was also co-writer/story producer of STATELESS, starring Cate Blanchett and Yvonne Strahovski, which premiered in Berlinale Series before its 2020 broadcast.
A former journalist, Belinda co-created and co-wrote the political thriller SECRET CITY (Series 1 and 2, Netflix), starring Anna Torv, and the mini-series Barracuda. She wrote the pilot and episode 5 of the series NEWTON’S LAW and her other television credits include FIGHTING SEASON, OLD SCHOOL, and the international hit MISS FISHER’S MURDER MYSTERIES.
A recipient of numerous scriptwriting accolades, including Australian Writers Guild awards and an Australian Academy of Cinema and Television Arts Award, she has also directed two feature films — LOU, starring John Hurt (which she also wrote) and CITY LOOP. Both films screened internationally at major festivals, including Toronto and Pusan.
Belinda is currently showrunning the development of THE FIRES (Tony Ayres Productions) — a six-part anthology for television based on Australia's recent catastrophic bushfire season — as well as developing feature films and other series.
In Australia, she is represented by Jennifer Naughton at RGM.
A former journalist, Belinda co-created and co-wrote the political thriller SECRET CITY (Series 1 and 2, Netflix), starring Anna Torv, and the mini-series Barracuda. She wrote the pilot and episode 5 of the series NEWTON’S LAW and her other television credits include FIGHTING SEASON, OLD SCHOOL, and the international hit MISS FISHER’S MURDER MYSTERIES.
A recipient of numerous scriptwriting accolades, including Australian Writers Guild awards and an Australian Academy of Cinema and Television Arts Award, she has also directed two feature films — LOU, starring John Hurt (which she also wrote) and CITY LOOP. Both films screened internationally at major festivals, including Toronto and Pusan.
Belinda is currently showrunning the development of THE FIRES (Tony Ayres Productions) — a six-part anthology for television based on Australia's recent catastrophic bushfire season — as well as developing feature films and other series.
In Australia, she is represented by Jennifer Naughton at RGM.
Ben Lawrence
Ben Lawrence is an award winning writer/director working across feature film, feature documentary and factual TV. His latest film is the soon to be released feature film, HEARTS AND BONES starring Hugo Weaving (THE MATRIX, LORD OF THE RINGS), which had its international premiere at the 2019 Toronto International Film Festival and will have its theatrical domestic release in April 2020.
His recent credits also include the Australian Academy nominated, winner of the Sydney Film
Festival and Australian Writers Guild for Best Documentary the 2018 documentary, GHOSTHUNTER.
His films have screened in competition at Toronto, Busan, Sao Paulo, Sydney, Philadelphia, Barcelona, Moscow, Sheffield, Hawaii and Palm Springs film festivals.
Ben has also directed documentary series for the ABC, including the acclaimed MANUP series and the 4 Corners true-crime investigative series, EXPOSED — THE CASE OF KELI LANE. In 2019 he co-wrote and narrated a 5 part, 4 hour podcast based on his documentary, GHOSTHUNTER for Audible — which was voted top 5 podcasts by Rolling Stone magazine.
His photography has been recognised at the International Photography Awards in New York, the
Spider Awards for photojournalism in London and the Australian National Photographic Portrait
Prize. Ben’s two decades as a TV commercial director has seen his work being recognised at every major international award festival, including being permanently housed in the Museum of Modern Art in New York.
Ben’s work across all these mediums is distinguished by its examination of humanity and empathy.
He is currently in development to write and direct a TV series he created with Bunya Productions (SWEET COUNTRY, MYSTERY ROAD).
Ben is represented by Needeya Islam at Cameron’s Management in Australia.
His recent credits also include the Australian Academy nominated, winner of the Sydney Film
Festival and Australian Writers Guild for Best Documentary the 2018 documentary, GHOSTHUNTER.
His films have screened in competition at Toronto, Busan, Sao Paulo, Sydney, Philadelphia, Barcelona, Moscow, Sheffield, Hawaii and Palm Springs film festivals.
Ben has also directed documentary series for the ABC, including the acclaimed MANUP series and the 4 Corners true-crime investigative series, EXPOSED — THE CASE OF KELI LANE. In 2019 he co-wrote and narrated a 5 part, 4 hour podcast based on his documentary, GHOSTHUNTER for Audible — which was voted top 5 podcasts by Rolling Stone magazine.
His photography has been recognised at the International Photography Awards in New York, the
Spider Awards for photojournalism in London and the Australian National Photographic Portrait
Prize. Ben’s two decades as a TV commercial director has seen his work being recognised at every major international award festival, including being permanently housed in the Museum of Modern Art in New York.
Ben’s work across all these mediums is distinguished by its examination of humanity and empathy.
He is currently in development to write and direct a TV series he created with Bunya Productions (SWEET COUNTRY, MYSTERY ROAD).
Ben is represented by Needeya Islam at Cameron’s Management in Australia.
Claire Tonkin
Claire Tonkin spent a decade as Drama Executive for national free-to-air broadcaster Network Ten, working across the development and production of all scripted projects. These included hit prime-time series OFFSPRING, RUSH, MR & MRS MURDER, PARTY TRICKS and WONDERLAND; literary adaptations THE WRONG GIRL and PUBERTY BLUES; event dramas including BIKIE WARS: BROTHERS IN ARMS, SECRETS & LIES, A MODEL DAUGHTER, BROCK, UNDERGROUND — THE JULIAN ASSANGE STORY, THE INFORMANT, MARY: THE MAKING OF A PRINCESS and HAWKE. She also oversaw the
development of WAKE IN FRIGHT and SISTERS. Claire was also the Network Executive Producer for iconic long-running serial NEIGHBOURS for just under three thousand episodes.
An award-winning writer, Claire’s first short film, FINGERPRINTS, which she also co-produced, was a 2005 Tropfest finalist and was showcased at the Tribeca Film Festival as one of the Top Ten Tropfest films of all time. Her second short, BUTTON was awarded the prestigious Australian Writers’ Guild Award (AWGIE) in 2007. Claire’s feature script ABOVE SPINIFEX
was a 2012 Quarter Finalist in the Academy Nicholl Fellowship, while in 2009, Claire’s pilot script ME & MINE was awarded the Sir Peter Ustinov Scriptwriting Award from the International Emmy Foundation.
Claire joined Australia’s largest independent production company, CJZ, as Head of Drama
Development in 2017 where she developed, produced, wrote and executive produced the ten-part mystery series MY LIFE IS MURDER (Network 10/Acorn TV). Starring Lucy Lawless (XENA: WARRIOR PRINCESS), the series premiered in Australia, the US and UK in mid 2019 and can now be seen in five continents and sixty countries. With a background in disability advocacy, Claire executive produced the children’s drama ROCKY & ME for ABCME and Screen Australia’s DisRupted disability initiative. Written, directed and starring artists with cerebral palsy, it premiered on Australia’s national broadcaster on International Day of Disability in 2019.
Claire is currently in advanced development on several new television projects for Australian, US and UK platforms. These include a YA adaptation of a novel from Kerry Greenwood (MISS FISHER’S MURDER MYSTERIES), a UK/Australian adaptation of Australian crime novelist Sara Foster’s best-selling THE HIDDEN HOURS, collaborations with actors Rachael Taylor, Bryan Brown and Rachel Griffiths, a love story/mystery series described as ‘FARGO in Australia’ from the writer/director of Australian film OYSTER FARMER, a noisy domestic noir about teenaged girls (represented in the US by Global Eye Content) and a high concept speculative drama inspired by her experiences on Australia’s most iconic television series.
development of WAKE IN FRIGHT and SISTERS. Claire was also the Network Executive Producer for iconic long-running serial NEIGHBOURS for just under three thousand episodes.
An award-winning writer, Claire’s first short film, FINGERPRINTS, which she also co-produced, was a 2005 Tropfest finalist and was showcased at the Tribeca Film Festival as one of the Top Ten Tropfest films of all time. Her second short, BUTTON was awarded the prestigious Australian Writers’ Guild Award (AWGIE) in 2007. Claire’s feature script ABOVE SPINIFEX
was a 2012 Quarter Finalist in the Academy Nicholl Fellowship, while in 2009, Claire’s pilot script ME & MINE was awarded the Sir Peter Ustinov Scriptwriting Award from the International Emmy Foundation.
Claire joined Australia’s largest independent production company, CJZ, as Head of Drama
Development in 2017 where she developed, produced, wrote and executive produced the ten-part mystery series MY LIFE IS MURDER (Network 10/Acorn TV). Starring Lucy Lawless (XENA: WARRIOR PRINCESS), the series premiered in Australia, the US and UK in mid 2019 and can now be seen in five continents and sixty countries. With a background in disability advocacy, Claire executive produced the children’s drama ROCKY & ME for ABCME and Screen Australia’s DisRupted disability initiative. Written, directed and starring artists with cerebral palsy, it premiered on Australia’s national broadcaster on International Day of Disability in 2019.
Claire is currently in advanced development on several new television projects for Australian, US and UK platforms. These include a YA adaptation of a novel from Kerry Greenwood (MISS FISHER’S MURDER MYSTERIES), a UK/Australian adaptation of Australian crime novelist Sara Foster’s best-selling THE HIDDEN HOURS, collaborations with actors Rachael Taylor, Bryan Brown and Rachel Griffiths, a love story/mystery series described as ‘FARGO in Australia’ from the writer/director of Australian film OYSTER FARMER, a noisy domestic noir about teenaged girls (represented in the US by Global Eye Content) and a high concept speculative drama inspired by her experiences on Australia’s most iconic television series.
Erin Good
Erin Good is the creator of the hit Australian fantasy series JADE OF DEATH.
Erin first conceived JADE OF DEATH as a television concept, and then adapted it to short form to prove the concept’s potential and build an audience. In 2016 JADE OF DEATH was one of ten projects worldwide selected for the Berlinale Project Lab, and Erin was selected as a writer/director for the Berlinale Talent Campus.
As described by scifi and fantasy reviewer Rod Faulkner (the 7th Matrix): “JADE OF DEATH introduces to the genre of dark fantasy a new feminist and lesbian heroine in a class all of her own.” The digital series now has over 3.5million views online and sold-out it’s screening at Sydney’s Mardi Gras Film Festival where it was runner up for the Audience Choice Award, second only to 20th Century FOX's breakout hit LOVE SIMON.
The series has been acquired by CBC and has won or been nominated for over 60 awards including; Best Drama Series from the International Academy of Web Television and Best Digital Series at the C21 International Drama Awards, and an Australian Directors Guild Award.
Erin’s TV pilot script for the long form adaptation of JADE OF DEATH received support from Create NSW and was shortlisted for the 2020 Sundance Episodic Lab.
Prior to JADE OF DEATH, off the back of the success of her short films, in 2014 Erin was offered and completed a director’s attachment with both Ralph Strasser - who had her direct a scene on Australia/ German series IN YOUR DREAMS and in 2015 via a Screen Australia Talent Escalator with Kriv Stenders on THE PRINCIPAL. That same year Erin was also one of only three directors selected for the Emerging Filmmakers Fund from Screen NSW for her short film ALONE.
Erin is currently in development on a neo-noir teen vertical series RED; a stylistically heightened
road-trip feature film PLEASE HELP with co-writer Huna Amweero (PUFF); a magic realism feature film A LOVELY AND TERRIBLE THING based on an award-winning Australian story of the same name; and, comedy/drama series SQUATTERS with co-creator Chris Squadrito.
Erin also works as a director for Taste Creative Agency and is the Sydney Ambassador for Film
Fatales. She is represented in Australia by Candice Thom at RGM.
Erin first conceived JADE OF DEATH as a television concept, and then adapted it to short form to prove the concept’s potential and build an audience. In 2016 JADE OF DEATH was one of ten projects worldwide selected for the Berlinale Project Lab, and Erin was selected as a writer/director for the Berlinale Talent Campus.
As described by scifi and fantasy reviewer Rod Faulkner (the 7th Matrix): “JADE OF DEATH introduces to the genre of dark fantasy a new feminist and lesbian heroine in a class all of her own.” The digital series now has over 3.5million views online and sold-out it’s screening at Sydney’s Mardi Gras Film Festival where it was runner up for the Audience Choice Award, second only to 20th Century FOX's breakout hit LOVE SIMON.
The series has been acquired by CBC and has won or been nominated for over 60 awards including; Best Drama Series from the International Academy of Web Television and Best Digital Series at the C21 International Drama Awards, and an Australian Directors Guild Award.
Erin’s TV pilot script for the long form adaptation of JADE OF DEATH received support from Create NSW and was shortlisted for the 2020 Sundance Episodic Lab.
Prior to JADE OF DEATH, off the back of the success of her short films, in 2014 Erin was offered and completed a director’s attachment with both Ralph Strasser - who had her direct a scene on Australia/ German series IN YOUR DREAMS and in 2015 via a Screen Australia Talent Escalator with Kriv Stenders on THE PRINCIPAL. That same year Erin was also one of only three directors selected for the Emerging Filmmakers Fund from Screen NSW for her short film ALONE.
Erin is currently in development on a neo-noir teen vertical series RED; a stylistically heightened
road-trip feature film PLEASE HELP with co-writer Huna Amweero (PUFF); a magic realism feature film A LOVELY AND TERRIBLE THING based on an award-winning Australian story of the same name; and, comedy/drama series SQUATTERS with co-creator Chris Squadrito.
Erin also works as a director for Taste Creative Agency and is the Sydney Ambassador for Film
Fatales. She is represented in Australia by Candice Thom at RGM.
Josephine Mackerras
Josephine is an Australian-born filmmaker, growing up in Queensland and was one of the first Australians to go to school in China. Josephine’s first passion was the theatre and she studied with the National Theatre in London and with Jaques Lecoq in Paris. She worked in the theatre in both cities before receiving her French nationality.
Increasingly frustrated by the limitations of the theatre Josephine went to New York and studied
filmmaking at New York University. Discovering her life’s mission, she left the theatre to devote herself entirely to filmmaking.
Josephine went on to make several shorts shot on location: A SIGN in New York, PRAYER in Prague, and DIVA AND L’ENFANT PERDUE in Paris. Collectively they were accepted in over 110 film festivals worldwide, including Atlanta, Palm Springs, Rome, HOF, Cork, Stockholm, Brussels, San Sebastian, Raindance, Edinburgh and Slamdance.
Josephine’s first feature-script was a finalist in the Final Draft Big Break Competition chosen from over 4000 screenplays. It won ‘Best Unproduced Screenplay’ in a string of festivals and was officially selected at the Atlanta Film Festival. It was optioned to an Oscar winning producer but Josephine fell pregnant during casting and the production was postponed indefinitely.
Frustrated, and at home with a baby, Josephine wrote her film ALICE with the objective of being low budget so production could start quickly. She soon learnt there is no such thing as speeding up the funding for a feature film so out of pure impatience she self-produced ALICE, using her own apartment as the principal location, her own baby as one of the stars and her credit card to fund the production. ALICE went on to win the Grand Jury Award at SXSW as well as a string of other awards and nominations, including winning The Spirit Award at Raindance Film Festival and Best First Feature at SXSW.
ALICE is the first French language film to win Grand Jury at SXSW and Josephine is the first Australian to ever win this award. Alice has been distributed and sold around the globe including theatrical releases in most of Western Europe, UK and much of Asia as well as HBO (Eastern Europe) and is still continuing to sell worldwide and be nominated and win awards on the festival circuit.
Josephine was selected on INDIEWIRE as one of ‘The Top Female Directors to Watch in 2019’. In the US, she is represented by Anna Flickinger at United Talent Agency (UTA) and managed by Luke Rivett at Anonymous Content.
Increasingly frustrated by the limitations of the theatre Josephine went to New York and studied
filmmaking at New York University. Discovering her life’s mission, she left the theatre to devote herself entirely to filmmaking.
Josephine went on to make several shorts shot on location: A SIGN in New York, PRAYER in Prague, and DIVA AND L’ENFANT PERDUE in Paris. Collectively they were accepted in over 110 film festivals worldwide, including Atlanta, Palm Springs, Rome, HOF, Cork, Stockholm, Brussels, San Sebastian, Raindance, Edinburgh and Slamdance.
Josephine’s first feature-script was a finalist in the Final Draft Big Break Competition chosen from over 4000 screenplays. It won ‘Best Unproduced Screenplay’ in a string of festivals and was officially selected at the Atlanta Film Festival. It was optioned to an Oscar winning producer but Josephine fell pregnant during casting and the production was postponed indefinitely.
Frustrated, and at home with a baby, Josephine wrote her film ALICE with the objective of being low budget so production could start quickly. She soon learnt there is no such thing as speeding up the funding for a feature film so out of pure impatience she self-produced ALICE, using her own apartment as the principal location, her own baby as one of the stars and her credit card to fund the production. ALICE went on to win the Grand Jury Award at SXSW as well as a string of other awards and nominations, including winning The Spirit Award at Raindance Film Festival and Best First Feature at SXSW.
ALICE is the first French language film to win Grand Jury at SXSW and Josephine is the first Australian to ever win this award. Alice has been distributed and sold around the globe including theatrical releases in most of Western Europe, UK and much of Asia as well as HBO (Eastern Europe) and is still continuing to sell worldwide and be nominated and win awards on the festival circuit.
Josephine was selected on INDIEWIRE as one of ‘The Top Female Directors to Watch in 2019’. In the US, she is represented by Anna Flickinger at United Talent Agency (UTA) and managed by Luke Rivett at Anonymous Content.
Meg O'Connell
Vanessa Gazy
Mithila Gupta
Stuart Page
Rodd Rathjen
2020 WOMEN IN SCREEN WORKSHOP